Abstract Magazine International | The Chapel at La Conquistadora by Georg Koszulinski
Abstract seeks fine art in all forms that engages with both the crises and joys of our shared human condition. We seek art that engages the edge of now; we seek to explore a future forward zeitgeist with a respect for the gifts of the past. We are looking for both established and emerging artists across a broad range of genres. Our criterion is quality.


The Chapel at La Conquistadora by Georg Koszulinski

22 Feb 2018, Posted by admin in Poetry

Art: by Amparo Noguera @amparo_noguera


Santa Fe, NM:

Terrifying crucifixion statue: skinny Jesus, bloody, sliced up, flesh hanging from the open wounds, head tilted slightly to the right, mouth hanging open, eyes glassy. Hands and feet nailed to the black cross, more blood, and beneath the crown of thorns, some very lifelike hair. The scene reads like the proto-photographic fraction of a moment just before death. His skin an indescribable, putrid color. The true face of horror smiles in the conqueror’s chapel.

On the wall opposite the crucifixion, a large oil painting of Christ, lying down inside the hollow of a tree stump. There was also a reliquary with the bone fragments of various saints, and a piece of the cross Christ was crucified on (itself fashioned as the inlay of a golden cross). It’s hard not to see the madness of civilization, from the Chapel of La Conquistadora to the Pizza Hut and Dillards around the corner from the church.

Poor bastard hanging on the cross, I think, as I’m idling at the stoplight. The worst horror I can imagine is Jesus Christ being murdered on the cross for no good reason, just an unlucky guy in the wrong place at the wrong time.

About the author:

Georg Koszulinski has been making films and videos since 1999. His award-winning works have been presented at hundreds of universities and film festivals around the world, most recently at the Atlanta Film Festival, San Francisco DocFest, and Experiments in Cinema. Many of his films are also available through Fandor. His personal essays and poetry have recently been published in Gold Man Review, Blue Collar Review, and forthcoming in Blotterature Literary Magazine. His current documentary project, White Ravens: A Legacy of Resistance (forthcoming) focuses on the Haida Nation and the cultural resurgence taking place on their islands of Haida Gwaii. Georg is an Assistant Professor of Film Studies at the University of North Carolina Wilmington where he teaches filmmaking.

Art: Amparo Noguera @amparo_noguera

In the artist’s words:

I come from Valencia, Spain, and I have a Degree in Fine Arts, which I studied in Polytechnic University in Valencia, 2011. I do painting, engraving, sculpture and illustrations. My artwork is basically formalist and constructivist. I am inspired by architecture and buildings; I basically work in structures that create compositions. The textures are also important to me. I always compose formal elements on different levels. In my “COLLAGRABS” use a base of acrylic paint, then I make collages with pieces of my own engravings which weave themselves on a network of lines drawn in parallel and perpendicularly. I use textures in both the background and the planes which form the composition. On the other hand, I also work in sculptures, that are made of wood and iron. I am currently working on a series of wood sculptures

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